A short NFB film narrated by Pierre Berton. Toronto shedding its reputation as a "fussy old lady" of a city — becoming a place of colour, industry, and movement.
And thirteen years later — Toronto in 1971.
Quick thoughts and observations.
A short NFB film narrated by Pierre Berton. Toronto shedding its reputation as a "fussy old lady" of a city — becoming a place of colour, industry, and movement.
And thirteen years later — Toronto in 1971.
Ray is known for his Pather Panchali, but if you don't have patience for his slow trilogy, this is a glimpse into his mind.
A mix of silkpunk, gorgeous world-building, mythology, and gods. There are way too many characters, which might annoy many readers. I enjoyed the detailed historical retelling of the events leading to the formation of the Han dynasty. It was a solid first book, but like Dune, I’m just not invested enough in the world to finish the quartet.
Over the last year Joanna Newsom has become a favourite of mine. A true original.
Digging into her albums Divers and loved the song, Leaving The City. And, then I discovered this live version by her and heard it in a completely different light.
I've been meaning to play Bloodbourne for years now. The PC emulation has finally reached a place where it looks to be running smoothly. Eight hours in and it has been extremely fun experience.
The world of Bloodbourne is so beautiful, I keep taking screenshots of it.



Boubacar Traoré & Ali Farka Touré being cool and making music.
Tyler, The Creator is at it again with his new album, CHROMAKOPIA. The best surprise from that album is stumbling upon the sample he used for 'Noid,' 'Nizakupanga Ngozi' by Ngozi Family. This opened up the world of Zamrock for me – a genre from the early 70s that's a fusion of African music, rock, blues, and funk.
A masterpiece of a song that I keep revisiting from Garth Marenghi's Darkplace.

Brahms’s Deutsches Requiem from the 1978 Salzburg Festival with Herbert von Karajan conducting and Gundula Janowitz and José van Dam as the soloists.
For spinach purée:
For saag paneer preparation
For the Gravy
For Chicken
To cook chicken
I love Sanderson's books, but I find his exploration of the medium of fantasy writing a whole lot more fascinating.
Sanderson’s First Law of Magics: An author’s ability to solve conflict with magic is DIRECTLY PROPORTIONAL to how well the reader understands said magic
Sanderson’s Second Law can be written very simply. It goes like this: Limitations > Powers. (Or, if you want to write it in clever electrical notation, you could say it this way: Ω > | though that would probably drive a scientist crazy.)
The third law is as follows: Expand what you already have before you add something new.
Jason Fried (Basecamp) during a Q&A on his ideal course,
It would be a writing course. Every assignment would be delivered in five versions: A three page version, a one page version, a three paragraph version, a one paragraph version, and a one sentence version. I don't care about the topic. I care about the editing. I care about the constant refinement and compression. I care about taking three pages and turning it one page. Then from one page into three paragraphs. Then from three paragraphs into one paragraph. And finally, from one paragraph into one perfectly distilled sentence. Along the way you'd trade detail for brevity. Hopefully adding clarity at each point. This is important because I believe editing is an essential skill that is often overlooked and under appreciated. The future belongs to the best editors. Each step requires asking "What's really important?" That's the most important question you can ask yourself about anything. The class would really be about answering that very question at each step of the left is the point.
Leverage points — These are places within a complex system (a corporation, an economy, a living body, a city, an ecosystem) where a small shift in one thing can produce big changes in everything.
From Leverage Points: Places to Intervene in a System
The classic example of that backward intuition was my own introduction to systems analysis, the world model. Forrester made a computer model and came out with a clear leverage point: Growth. Counterintuitive. That’s Forrester’s word to describe complex systems. Leverage points are not intuitive. Or if they are, we intuitively use them backward, systematically worsening whatever problems we are trying to solve.
So one day I was sitting in a meeting about how to make the world work better — actually it was a meeting about how the new global trade regime, NAFTA and GATT and the World Trade Organization, is likely to make the world work worse. The more I listened, the more I began to simmer inside. “This is a HUGE NEW SYSTEM people are inventing!” I said to myself. “They haven’t the SLIGHTEST IDEA how this complex structure will behave,” myself said back to me. “It’s almost certainly an example of cranking the system in the wrong direction — it’s aimed at growth, growth at any price!! And the control measures these nice, liberal folks are talking about to combat it — small parameter adjustments, weak negative feedback loops — are PUNY!!!”
PLACES TO INTERVENE IN A SYSTEM
A young man came up to Mozart and said, ‘I want to compose symphonies. I want to talk to you about that.’
Mozart said, ‘How old are you?’
‘Twenty-two.’
And Mozart said, ‘You’re too young to do symphonies.’
And the guy says, ‘But you were writing symphonies when you were ten years old.’
He says, ‘Yes, but I wasn’t running around asking other people how to do it.’”